Monika Ślósarczyk
Reviews, interviews, catalogues and institutional materials concerning Monika Ślósarczyk’s practice.
Chronology
Publications and media are arranged from newest to oldest.
2 February 2026 · Institutional text
Gubiński Dom Kultury
This institutional exhibition announcement presents the paintings as focused on people and everyday reality, dynamic, expressive and not without humour.
2026 · Institutional text
Miejska Galeria Sztuki w Częstochowie
The official exhibition text emphasises observation, movement and transience, as well as the dynamism and expression of compositions centred on people and everyday reality.
13 October 2025 · Publication
Wydawnictwo SBM · Izabela Winiewicz-Cybulska
Izabela Winiewicz-Cybulska’s survey of Polish painting includes a dedicated entry on Monika Ślósarczyk and reproduces Gra w krzesła (2023). The author discusses the artist’s resistance to simple classification, her interest in people and nature, irony, large formats, patterned fabrics, newspaper and other elements of the support.
19 October 2024 · Article
TVP3 Gorzów Wielkopolski · Telewizja Polska S.A.
TVP coverage of the Końcówki serii exhibition at Galeria Dacco in Kostrzyńskie Centrum Kultury.
18 February 2024 · Interview
Polskie Radio Rzeszów · Adam Głaczyński; publikacja Doroty Wilk
Adam Głaczyński’s conversation accompanying the Rzeszowski Dom Sztuki exhibition addresses journalistic painting, gesture, colour contrast and images understood as fragments of everyday life.
11 February 2024 · Article
Biznes i Styl · Aneta Gieroń
Aneta Gieroń’s preview emphasises a richness of colour, situations and contexts. The human figure is their common point, inviting viewers to recognise traces of their own experience.
2024 · Catalogue
Rzeszowski Dom Sztuki · Miron Zakała
In a signed catalogue essay, Miron Zakała describes a movement from apparent chaos towards a deliberately formed image. He links the freedom of abbreviation to accomplished drawing while also noting irony and subtle social commentary.
2023/2024 · Article
Post Scriptum · Izabela Winiewicz-Cybulska
This signed three-page article discusses Monika Ślósarczyk’s practice through large formats, figuration, irony and the editorial dimension of her painting. It also addresses patterned fabrics, newspaper fragments, painting with a broom, human and animal subjects and works in architectural settings, accompanied by reproductions of her paintings.
9 December 2023 · Review
Kurier Zamojski · Izabela Winiewicz-Cybulska
Izabela Winiewicz-Cybulska reviews the group exhibition and notes the reflective potential of two works by Monika Ślósarczyk: Wigilia and Złote korytko.
2023 · Article
Beskidzka24 · Michał Cichy
Michał Cichy’s regional report links the paintings’ narrative quality to an interest in other people. It also notes textile supports that may previously have served as curtains or tablecloths.
13 December 2022 · Review
CGK Częstochowa · Rafał Kwasek
In his personal account of the Gruppa Siedem exhibition, Rafał Kwasek notes simple scene structures, vibrating energy, a focus on colour and strongly emphasised figures.
7 July 2022 · Review
Gazeta Ustrońska · Lidia Szkaradnik; wypowiedź Roberta Heczki
In her signed report, Lidia Szkaradnik discusses expansive figures, the vitality of crowds and unconventional materials. In the same article, artist Robert Heczko points to the intense colour and expressive character of the presented world.
2022 · Curatorial text
Galeria Stalowa · Izabela Winiewicz-Cybulska
In a signed essay for the group exhibition, Izabela Winiewicz-Cybulska places Monika Ślósarczyk among mature figurative painters united by an interest in people and everyday life while retaining distinct painterly languages.
17 November 2021 · Interview
OX.PL · MSZ
Article on the artist’s own technique, use of building materials, observation of people and events, and a 2021 Cafe Muzeum presentation.
8 July 2021 · Article
Tychy.pl · Kamil Peszat; wypowiedź Katarzyny Korus
Kamil Peszat’s report from the exhibition at Tichauer Art Gallery includes curator Katarzyna Korus’s comments on the artist’s recognisable style and deliberate use of runs, stains and varied materials.
14 June 2019 · Institutional text
Filharmonia Świętokrzyska im. Oskara Kolberga
The official exhibition text presents the practice as crossing fixed categories, emphasising material experimentation, a distinctive style and the human figure as the axis of observed reality.
26 November 2018 · Article
PAP / Dzieje.pl · Marek Szafrański; wypowiedź Konrada Zalasa
A PAP report on the exhibition Mój magiczny realizm quotes Konrad Zalas, who emphasises the narrative quality of the works and their ability to evoke experiences recognisable to the viewer.
2012 · Review
Dziennik Polski · AN
This archived review of an exhibition at Art Cafe Mostowa in Kraków highlights the creative use of experience gained through mural painting and the continuity of the artist’s distinctive sensitivity to colour.
2011 · Jury report
Nasza Trójwieś / Gmina Istebna · Ernest Zawada
In a signed jury report, Ernest Zawada discusses the synthetic character of Ryby na niby, its allusive relation to landscape, animal motifs and coherent colour arrangement. The painting received third place.
2009 · Review
Strefa Kultury · pb
A note on the exhibition 10 przykazów i 7 grzechów głównych describes the works as an unpathetic reflection on the moral principles by which contemporary civilisation is expected to function.